Every story has a beginning
Sunday
Oct102010

MEZZZMORIZING Music Video For Under $2,000 ON CANON 7D

The Satin Dollz in "Whatever Lola Wants" from Dan Blank on Vimeo.

 

An ABSOLUTELY GORGEOUSLY shot music video by Dan Blank and Co. on the Canon 7D. Dan, Company and Canon should be incredibly proud of this amazing piece of art work. I've been familiar with Dan's work for sometime and for under $2,000, IT CAN BE DONE. Resourcefulness, creativity, and most of all PLANNING is key!!! Shout out to The Satin Dollz, Dan and Co. again for AMAZING work, theswesomer.com, and my boy Matt for giving me the heads up about it! Enjoy!

Thursday
Oct072010

RED Putting You in the Red? Gravity's Got Nothin' On DSLRs!

So this week revealed some interesting insights for the visual storyteller.

No such thing as a cheap RED+More from my EOS FCP plugin+DSLRS can fly= a more resourceful visual storyteller.

For those of you who can afford to shoot on the RED Digital Cinema Camera System, congrats! But for the rest of us, there still remains the growing options of DSLR filmmaking (i.e:Canon 5D, 7D, 550D, 60D, Pansonic Lumix GH2, etc).

With the recent announcement by Jim Jannard founder of RED, that the ever rumored, forever "in-development" RED Scarlet, would NO LONGER be developed for the "prosumer" or video enthusiast price, but aimed at a much higher cost, this news opens the door for Sony, Canon, Panasonic and others to step up and show what they can offer the indie-filmmakers! Let's get it in guys, we're waiting!

Sadly, this is RED's loss on a market who would've been undyingly loyal. But their focus is aimed squarely at the big dawgs, I.E. the Peter Jacksons of the game, which is perfectly fine, there is a tool for every occasion and artists who will be able to pay for it. Shout out to EOSHD for sharing the info. Check out EOSHD for more details!

EXTRA SPECIAL Shout out to DSLRGirl who shared two tidbits of amazing info really crucial for D.P.s and Directors who want to push their DSLRS to new heights and Editors who want as much information as technologically possible when editing Canon DSLR footage. Follow her on Twitter @DSLRGIRL!

First, an UPDATE TO THE CANON EOS PLUGIN FOR FCP that Canon released at the end of September that shows an editor MORE Metadata. (CLICK HERE for definition of metadata :))But basically it's not only information on timecode from the Canon camera, but also all the settings used for the shot you're working with (ISO, APERTURE, LENS). INCREDIBLY useful if reshoots are in order. Did I say if? I meant WHEN. Also, note it's new compatibility with the 60D!

Second, HELIVIDEO. I'm going to let them speak for themselves. Though DSLRs may have their limitations, gravity WON'T be one of them!! Happy Weekend ya'll!!!!

HeliVideoProductions and a quick edit of some clips. 

Saturday
Oct022010

Some Food For Thought. 

So as many of you may or may not be aware, our United States government actually did something to earn the paychecks our taxpaying dollars support and passed the 9/11 Health Bill. This in a nutshell, means health coverage for the acute and deadly needs of first responders who currently suffer from a number of ailments due to exposure to harsh conditions in the wake of the September 11th, 2001 terrorist attacks.

Why share it here? Because Director Oliver Stone's film "World Trade Center" only scratched the surface of a moment in history that us as artists and educators will be covering for years to come. Below is some video of some recently unveiled equipment that can help us in this task.

Some weeks ago, I mentioned how Canon's Got Cannons. Well, it appears that Panasonic has finally rallied back with what could be a Scarface maneuver of its own. Offering up a sequel to it's Lumix series GH1 is the GH2. Follow up on the specs carefully and you'll see it can actually shoot 1080 @ 60fps, as well as 24fps, a step above Canon's HD capable DSLRS, that can only shoot 60fps @ 720, that is, at the moment.

Panasonic also stepped their game up in their prosumer camcorder line in introducing the AF100, capable of not only shooting variable frame rates, but also being able to swap out what I believe to be the very same lenses used in their GH2 and shoot high MP stills! Now that's just boss to me. Canon, don't front, you know you wish you thought of this when you unveiled your new prosumer XF300 and XF305... or maybe you have? Stay tuned.

In either case, this flexibility from Panasonic really allows the visual storyteller to have the camcorder ease of use they've grown used to, while also incorporating the sweet and sexy depth of field they've come to love in DSLRs and of course tradtional film cameras. Also, if varies up how you can shoot, with the same lenses, different subjects in different environments in which the GH2/AF100 may alternately be better suited. That is if you have the coin.

Ultimately, the GH2 is capable of being your still and video camera exclusively. But it's always good to have choices!

Friday
Sep172010

FIND IT AND FIND IT NOW!

For all of my technically savvy peeps out there, you may already be aware of this. However for those who aren't, I came upon an interesting and incredibly useful tool for Editors who use Final Cut Pro.

Ever been in an edit where you've needed to desperately know what subjects have been covered and need to know now?? No time for transcribing? No time to scan frantically through footage hoping to be able to read lips at 3X speed? For those of you familiar with AVID and it's Script-Sync, you are all too familiar with being able to already look through a digital transcript, select a word and find every instance of that word. For Final Cut Pro users, you've all been S.O.L until now. Check out GET from AV3. It isn't Script Sync, but it utilizes the same technology and from what I've seen, is pretty accurate. Though not cheap - well worth the investment. Find it and find it now!

Greg Payton/Natasha M. Hall

C3Stories.

Friday
Sep102010

What Do You Owe?

Pardon the New Jack City Reference, I felt like it led in pretty well to the importance of today's blog.

Fall has fallen and we're back in gear to finish 2010 strong. Many of us have been grinding, hustling, whatever you want to call a tireless work ethic all-year-round and students, depending on how they're raised and what school they attend, are no different.

Some work all year round to keep their basic skills up from year to year, some are left to let their skills wain, given nothing to do, and left to their own devices, either to their own boredom and lethargic behavior, or to others' dismay at what a reckless child could do.

Teachers dedicate themselves to the craft of helping students to learn and hone the skills of math, science and literature, with art often being left last in many schools if included at all. To this end, how many of us wonder, "what do we OWE?"

We who blog on entertainment, participate in the entertainment industry in one way or another, who keep up with trends and provide content to propel new ones, do we take a moment to wonder what we owe not only to those who came before us, but to those who come after us?

Regardless of your artistic background, whether it be special effects, make-up, acting, directing, writing, editing, producing (if you THINK producing isn't creative to some degree, try doing it someday), there lies a need and a responsibility to share this information to your followers, your students.

There are many programs out there, many expensive, but the select few, that are free, non-for-profit organizations, that focus on teaching the generation that WILL replace us, what they need to know to better perpetuate the artistic disciplines we've grown to know, love, honor, respect and hold dear.

 

 

 

 

Although I only highlight a few, such as The Color of Words, The Ghetto Film School or The William H. Cosby Future Filmmakers Workshop, there are dozens of these programs being started all across America and the world over. These programs focus passionately on making sure that visual storytelling is a craft learned and honed by students coming from the same neighborhoods we all come from or go back to.

There was a time when not just anyone could wield film and make it a visual art, much less make an engaging story people could gravitate towards. Today, we have high-definition video in our phones with which to tell similarly, equally moving stories.

In fact, the technology has advanced so far, as well as the knowledge and study of visual storytelling, that there is even a high school exclusively dedicated towards the specific study of it, something unprecedented. Look up The Cinema School and you'll understand. It brings tears to my eyes and a swell in my heart to know witness this. Institutes such as these, need people such as us.  

With the skills we've honed over the years, we owe it to these new and continuing institutions to  educate the next generation of visual storytellers. With guidance, the next generation could be an incredible force for a whole new renaissance, to follow the one we create and witness today.

Without guidance, we face internet videos of poorly moving cameras, non-existent stories, horrible behavior from embarrassed, in some cases humiliated children, thoughtless even violent, criminal content, with no purpose than to remind us, the new pioneers of this digital, online, 24-hour age, what we have in our rear view mirrors.

Just about every renowned artist in their respective field has, at one point or another, been a teacher, whether they realized it or not. They saw someone doing something that could be done better and chose to teach that "student" how to do it better. It doesn't always need to be in a classroom. To be honest, a lot of the work we do is in the field, learning as we go, teaching as we go. We don't have to have all the answers, only be willing to give the time.

To teach is not for those seeking wealth, though a life can be made of it and well supported, because of it. To teach is to be willing to look at ourselves, and to a degree, improve on what we choose to teach others, because what we give, whether it is knowledge on how to be a better actor, writer, director, make-up artist, is important and must be handled with care.

If we as artists in this new visual storytelling age want to ensure that it isn't completely polluted with viral viruses, we need to remember, "We Owe".

So as I step off the soapbox and look for the sidewalk preacher to give it back to, ask yourselves, when was the last time you taught someone something? How did it make you feel? Will you do it again? What do you "Owe"?

Greg Payton/Natasha M. Hall
C3Stories